Netflix’s latest limited series “Adolescence,” arrives amidst complex societal discussions.
Created by Jack Thorne and Stephen Graham,the story follows 13-year-old Jamie Miller (Owen Cooper), a seemingly normal English schoolboy, immediately after his arrest.
Rather than focusing on the violent act, the series centers on the events and influences that led to the devastating outcome.
The show distinguishes itself from the usual Netflix drama fare with its astounding cinematography. Each of the four episodes unfolds as a single, continuous take.
This is not merely a stylistic gimmick. It is a critical technical decision that intensifies the show’s most tense moments to almost unbearable levels. The long takes immerse us in real-time with the characters as they navigate unfolding events and revelations.
While the story’s pacing can occasionally feel sluggish or meandering, this approach effectively positions viewers as proxy spectators to the exhausting and confusing reality the characters face.
Thematically, the series attempts to initiate a vital and authentic conversation about youth violence and the allocation of blame.
Thorne and Graham seem determined to suggest that responsibility is not simple. The show’s story points its fingers in multiple directions: overworked teachers, stressed and neglectful parents (whether out of touch or indifferent), bullying and the influence of online radicalization, particularly from the misogynistic corners of the “manosphere.”
The role of the modern social media landscape in fostering Miller’s feelings of alienation, emasculation and sexism feels particularly emphasized. However, this is also where the show sometimes loses its footing.
It argues for collective responsibility, and at times it seems to suggest that society as a whole – parents, schools, online platforms, failed both Miller and his victim.
Yet, while dedicating screen time to each potential factor, the message felt scattered and perhaps biased towards specific targets.
Cooper delivers a phenomenal portrayal of Jamie, gradually peeling back the layers of a troubled boy whose true nature unravels over time.
A standout sequence in episode three is during a session with his psychologist (Faye Marsay), it is a highlight of the series and perfectly encapsulates the show’s strengths.
Graham as Miller’s father Eddie is simply heartbreaking. He embodies the sadness and confusion of a parent struggling to cope with the reality of his son’s actions.
“Adolescence” feels ambitious, both technically and thematically. Its single-take cinematography is a genuine achievement.
The show bravely tackles complex, relevant issues concerning the roots of violence in young people and the myriad societal factors at play.
While its attempt to distribute blame across multiple sources might leave the central message feeling slightly underdeveloped in contrast to its sharp visual execution, it undeniably sparks a crucial conversation.
Is it worth watching?
Absolutely.
“Adolescence” offers a unique perspective on a challenging subject. While some episodes may sag under the constraints of the storytelling framework, its cinematography and raw performances elevate it, making it another compelling reason to hold onto your Netflix subscription a little while longer.
I rate this series 4 out of 5 mustangs.
